Vergil’s unusual phrase temptare Thetin (Ecl. 4.32) has long been recognized as an allusion to Catullus’ equally striking imbuit Amphitriten (64.11). This note shows that Vergil’s allusion is more complex, however, evoking the descriptions of the Argo’s construction in both Catullus (64.8-11) and Apollonius (Argon. 1.111-14), and in particular the phrase ἐπειρήσαντο θαλάσσης that occurs in the latter. Vergil employs Catullus as a “window reference” that colors Apollonius’ Argo with darker notions of the sea’s violation that become dominant in the (...) Roman tradition. (shrink)

Catullus 64 revises traditional mythological chronology by making the Argo the first ship; this “correction” strongly influenced subsequent Latin poetry. Varro of Atax, a young contemporary of Catullus, alludes to this temporal “correction” and to poem 64 more broadly in his Latin translation of Apollonius’ Argonautica, problematizing his principal source text. This allusive technique reveals a complex recreative relationship between translation and source text vis-à-vis other poems that allude to and “correct” this source. Ovid nods at Varro’s “correction” significantly and (...) repeatedly. Varro played an important role as an allusive bridge between Neoteric and Augustan poetry and poetics. (shrink)

Discussing different types of metaphor, Isidore of Seville quotes an anonymous fragment that uses agricultural vocabulary to describe the sailing of a ship in order to illustratemetaphorae ab inanimali ad inanimale‘metaphors taken from inanimate objects and applied to inanimate objects’ (Etym.1.37.3 = inc. fr. 63 Blänsdorf):1.